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        | JLM AUDIO Langevin AM16 Rack 
		Case 
        Features  
        
          - Custom AM16 1 unit high Rack Case with New  
			Laser Printing. Laser turns black anodizing white so marking can not 
			be scratched off. Automatic 85v to 265v Switchmode power supply for 
			+24v & 48v rails. IEC removable power cord and Gold Neutrik XLR 
			inputs and outputs on rear panel  1 to 4 AM16 can be fitted to 
			rack and laser writing changed to match. Each Mic Pre has switchable 
			48v, Phase, High Gain and 45dB variable input PAD pot (Marked as 
			output on this version). 
 
         
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        | JLM AUDIO MCI Channel Rack 
		Case Features 
        
          - Cut down MCI 400 Channel strip in 1 unit 
			high Rack Case with New Laser Printed front panel. Channel 4 Mic Pre 
			and EQ are the original from the Channel Strip but Mic Pre 1 to 3 
			are made by using the spare MCI opamps still on the main MCI PCB and 
			our JLM Mini Transformers to make three extra Mic Pre amps with 60dB 
			of gain and 48v, PAD, PHASE Switches where added to all four Mic 
			Pre's. The unit is run from a external 24vac 1amp transformer which 
			generates +/-24v and 48v internally.
 
         
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         JLM 
		AUDIO Racked AWA Dual Channel Strips
        Features 
        
          - Road Case with 2 pairs of AWA Mic Pre and 
			EQ. These are like AWA versions of the 1073 Neve but running on a 
			higher voltage rail. These modules are rare. The input transformers 
			are so large that they are the full width of the dual module which 
			is obviously why they are made in pairs. We have added the output 
			faders which work as 10dB trims normally or full fade to -70dB when 
			the pot has its inbuilt switch pulled to the out position. Unit runs 
			from +30v & 48v Switchmode power supply. These things sound great 
			and have fatter low end that the Neve 1073. The EQ is very good with 
			only the treble control needing its frequency shifted to make it 
			more useable.  To get these modules working properly they need 
			a lot of recapping and switch & pot cleaning and replacing. Also the 
			modules are only unbalanced out with the external amp PCB and 
			external Output Transformer. We use one of our unbalance to balanced 
			modules with a new laser cut rear panel with XLR in & outs and TRS 
			insert which screw straight on to the rear of the module.  
 
         
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        JLM AUDIO Pultec Road Case 
        Features 
        
          - Custom Road Case with mounted Micro 240v to 
			110v stepdown transformer and XLR & TRS inputs and outputs. Pultec 
			had tube rectifier go short circuit and destroyed the main filter 
			capacitors which were internally replaced.  Replaced all tubes 
			due to micro phonics and loss of output of 12AU7. Used 5814 Military 
			Spec version of 12AU7 tube. Cleaned noisy original pots by opening 
			rear metal caps and using CAIG pot cleaner and clean switches with 
			CAIG switch cleaner. Unit tested as good as new with Flat 10Hz to 
			40kHz  at -1dB. THD less than 0.05% and Signal to noise greater 
			than 90dB. Road Case was kept as compact and light as possible as 
			the Pultec is for hire. Front panel came up like new with a real 
			mirror finish but took a lot of cleaning work due to very old paper 
			tape stuck on the front that had gone rock hard.
 
         
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        JLM Audio 1064 Neve Rack 
        Features 
        
            - Fits 2 x Neve 1064 Channels and has laser 
			etched and colour filled labelling that has been turned 90 degrees 
			to be right way up for rack mounting & replacing the original Neve 
			front panel.
 
            - Internally Switchable 110v to 240v Switch 
			Mode Regulated 24v & 48v Power Supply.
 
            - Output Faders with pull switches (6dB of 
			trim in normal position & full fade to infinity in pulled out 
			position).
 
            - 48v Phantom Power Switch and Red LED per 
			channel.
 
            - Mains Power Switch and Green LED.
 
            - Gold Neutrik XLR Mic, Line inputs & 
			outputs on rear panel.
 
            - Jack Insert point Pre Output fader on rear 
			panel.
 
            - Removable IEC Power Lead with fuse holder 
			on rear panel.
 
            - 3 Rack Unit high in Blue Grey Neve 
			Coloured Front.
 
            - 2 Sets of these were made for Rocking 
			Horse Studios at Byron Bay.
 
         
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        | JLM Audio 1272 Neve Rack 
		Features 
        
            - Fits 8 x Neve 1272 Line Amps converted to 
			60 dB Mic Pre's.
 
            - Fully Switch Mode Regulated 24v & 48v 
			Power Supply.
 
            - Internally Switchable 110v to 240v Switch 
			Mode Power Supply.
 
            - Illuminated 48v Phantom Power Switch.
 
            - Illuminated Mains Power Switch.
 
            - Gold Neutrik XLR inputs & outputs on rear.
 
            - Removable IEC Power Lead.
 
            - 3 Rack Unit high in Black Aluminium.
 
            - 3 Sets of these were made for Rocking 
			Horse Studios at Byron Bay.
 
         
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        | JLM Audio Norelco & ADM 
		Custom Rack 
        Features 
        
          - Fitted 6 Norelco (Philips) Mic Pres & ADM780 
			Mic Line Pre into 2 unit high rack case. (Added Second ADM Module 
			later)
 
          - Fully Recapped Norelco and reduced gain to 
			42dB and added JLM Micro DI Active Balanced Outputs with 18dB of 
			gain.
 
          - This gets around the +6dBM clipping point of 
			these modules and now sets the output clipping point to +24dBM.
 
          - Also mounted a LED in the test jacks on the 
			front of Norelco to show when phantom power is switched ON.
 
          - Used Mic 1,off,2 Switch for phantom Power 
			Switch on Norelco.
 
          - ADM780 had blown Transistors which we 
			repaired.
 
          - Built High Current +/-20v ,24v & 48v Power 
			supply with external power transformer pack.
 
          - Gold Neutrik XLR for Ins & Outs. 
          
 
          - This custom unit was made for Matthew 
			Redlich.
 
         
        
          hey joe 
          Just thought id send 
			you some drums done with the norelco preamps 
          
        
          kick - shure beta 52 - a 
			little waves eq and gateing 
        
          snare - shure 565 
			unisphere also though my inductor filter box - tlaudio eq 
        
          hihat - beyer m69 - HPF 
        
          it was all run thru waves 
			RCL and cakewalk tape sim 
        
          sounds pretty darn good I 
			think! 
        
        
          regards, 
        
          matt r 
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        | JLM Audio Quad Eight Custom 
		2 unit high Rack Features 
        
          - Fitted 2 QE line input modules in 2 unit 
			rack case by cutting of fader section.
 
          - Repaired modules changing faulty caps 
			mainly.
 
          - Added JLM input transformer and rewired as 
			mic pre input with 6 x 5 dB steps (25dB to 50dB plus 10dB in output 
			= 60dB).
 
          - Added Input 25dB Pad Switch (black toggle) 
			and Phantom Power Switch (red toggle).
 
          - Reverb send is master output going to 
			separate Quad Eight output card wired with 10dB of gain. 
 
          - Built High Current +/-28v ,24v & 48v Power 
			supply with external power transformer pack.
 
          - Gold Neutrik XLR for Ins & Outs and pre 
			fader insert jack on each channel. 
          
 
          - This custom unit was made for Brendan 
			Gallagher from Sydney band Karma County.
 
         
        
        Hey Joe (there's a song in there), 
        Pres are fab. Love the top end, especially on 
		guitars. Have just finished Lyall Adonis' debut album and I really put 
		them through their paces. Some string sessions at my place with a pair 
		of Oktava M012a condensor mics and piano recordings with same set up. I 
		insert my TLA stereo valve compressor across it and it sounds fab. Used 
		McCormack's Line 6 combo stereo direct into pres for some e/guitar 
		tracks and that's when you hear some classic 70s guitar tone. You really 
		get back what you put in. They're very true with that extra something. 
		Very flexible gain structure as well. The line level pad is great for 
		loading in samples and stuff from CDs and the hi gain is excellent for 
		mics like my Sennheiser MD441U3 which is quiet as a ribbon mic. I did 
		all the vocals with a 50s Neumann U-47 (the Sinatra one) and no EQ. 
		Beautiful, warm as toast. I've got the pres and compressor in a roadcase 
		and I've been taking them into studios, very portable. I dug out a whole 
		lot of 70s drum loops I have on file (Stevie Wonder, Al Green, Shuggy 
		Otis etc) and tweaked them through Q8s for a bit of sparkle and re-laid 
		them on my portable DAT. I use 'em a lot in my solo shows and now they 
		sound more THERE! Will try and send photo units in case. 
        Brendan 
        
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        | JLM Audio Quad Eight Custom 
		Road Case Channels and Compressors 
		Features 
        
          - Fitted two Quad Eight Channels into one of 
			our shielded custom made road cases with removable front and back 
			lids.
 
          - Fully repaired Quad Eights to new spec.
 
          - We were asked to make them as compact as 
			possible so the fader section was cut off. 
 
          - Added JLM 2:1 and 1:2 line input and output 
			Transformers and passive output attenuators because no output cards 
			were supplied.
 
          - Converted PFL switch to Phantom Power switch 
			on each channel.
 
          - Fitted 10mm LEDs to missing foldback pots 
			position as +/-28v Power Rail Indicators.
 
          - Built High Current +/-28v & 48v Power Supply 
			with external power transformer pack.
 
          - 2 sets of the channels & 1 set of the 
			compressors were made for Tim Whitten (Tim Recorded Albums for 
			Powderfinger, FOC, Clouds, Art of Fighting, Karma County)
 
          -  
 
         
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        | JLM Audio Kaoss Pad Control 
		Box Features 
        
          - Made for Brisbane band George this stomp box 
			sends either Tyrone, Katie or Both Vocals to a Kaoss Pad.
 
          - Vocals are sent to the Kaoss left line input 
			through  JLM 1:4 stepup transformers as the mic in on the back 
			of the kaoss was to noisy.
 
          - When a vocal is assigned by a stomp switch 
			to the kaoss input a blue laser led lights under the person name.
 
          - The centre stomp switch mutes the Kaoss 
			outputs of the two on board transformer DI's that convert the kaoss 
			unbalanced outputs to mic level balanced outs.
 
          - A Red LED is lite while the Kaoss outputs 
			are on to the Front of House Desk.
 
          - All power for LED's is derived from Phantom 
			Power sent to the on board transformer DI's so no batteries are 
			required at all !
 
          - All balanced output levels where set to be 
			the same mic level for easy Front of House Mixer setup. 
 
          - All switching is noiseless. 
 
         
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